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OUTLINE OF THE BOOK
- What Is This Book About?
- Beginning in the Middle - Mariposa, 1961
- The Invention of Folk Music
- A Child Shall Lead Them
- Canadian Beginnings
- Gibbon and the Canadian Mosaic
- Red Is The Colour- The Other Mosaic –1900’s-30’s
- The Early Labour Song Tradition in Canada
- Red Front to Popular Front
- New Deal and No Deal
- Birth of a Nation
- Put Canada First!
- People’s Songs and People’s Music
- The Golden Age of Canadian Folk Song 1947- 1962- The
Beginning
- The Emergence of a Repertoire
- The First Tour- The UJPO Folksingers
- Foreign Affairs
- World Music in the Golden Age
- Founding Folkies
- From Bonavista to the Vancouver Island
- Sam Gesser and Folkways Canada
- Country and Folk
- The “Revival”- Folk as Pop
- Mariposa Revisited- The End of the Beginning
- The Boom - Early Canadian Folk Professionals and the
Marketplace
- The Songwriters
- East is East and West is West- Halifax, Ottawa, Toronto,
Winnipeg, Regina, Calgary, Edmonton, Vancouver & Smaller Towns and
Smaller Scenes
- Folk Rock
- The Real Boom- Folk in the 70’s
- The Festivals
- The Message in the Music- Political and Social Images
in Songwriting and Folk Music in Canada in the 60’s and 70’s
- Bigger Than Ever- the 80’s
- New World, New Music
- The Little Folk- Children and Folk Music
- Looking Forward – Looking Backward- Folk Music at the
End of the Century and the Beginning of the New Millennium
- What Does It Mean
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OUTLINE OF THE BOOK |
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28. Folk Rock |
It can be said that folk and rock music saved each other. Folk music
gave rock content and lyrical depth while rock breathed new life into
folk music, and provided a musical dynamism that took it to new and larger
audiences. Neil Young, Denny Doherty, and Zal Yanofsky went from
folk clubs to become major artists in folk based rock. The already established
songwriters started recording and performing with electric bands while
a new generation of folk artists and groups used elements of rock music
to establish a new sound in Canadian folk music. Names like Perth County
Conspiracy, Humphrey and the Dumptrucks, Fraser and Debolt and Three’s A Crowd became identified with a hybrid approach to
folk music. Songwriters including Bruce Cockburn and Murray
MacLachlan began to establish themselves as successors to the “big
4”. In England, Pentangle and Fairport
Convention defined a new approach to the interpretation of traditional
songs and Canadians took note of new possibilities. |
Photo of folksinging group, Three’s A Crowd, circa 1967 |
The Stormy Clovers on the cover of Hoot Magazine, Volume 2, Number 4, July 1966 |
Ad for Bruce Cockburn’s first three records released on True North Records, Bruce Cockburn, High Winds White Sky, and Sunwheel Dance, as printed in the Mariposa Festival Program 1974 |
Ad for self-titled albums for Bruce Cockburn, and The Perth County Conspiracy, as printed in the Mariposa Festival Program 1970 |
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